Blog post 2 : Why is an Intersectional Feminist approach important in my role?

Over 80% of my Y2 cohort are female or identify as women. Many are trying to interrogate ideas in their practices that have a direct correlation to areas of feminist work; gender, identity, care, childhood, labour and community. Still, the majority would not describe themselves as feminist. They largely haven’t received any kind of feminist teaching and mostly lack a basic understanding of feminist thinking.

In the Representation of Women Artists in the UK (2021) several illuminating statistics are uncovered. The report details how, despite record numbers of women studying Art & Design at GCSE, A Level and undergraduate (much higher than the numbers of men, at 65%, 74% and 66%) there persist systemic gender inequalities within the art world. This is carefully evidenced. For example;

In 2021 just 36% of the artworks acquired by Tate were by women artists.

In 2021 only four new works entered the collection of the National Gallery, there was not a single work by a woman artist, a Black and Brown artist or a disabled artist

In 2021 majority of artists represented by London’s major commercial galleries are still men, at 67% – an increase of 2% from the previous year.

Over 95% of my students in Y2 are under the age of 25. 2024 research from Kings College London shows Gen Z men and women are the most divided on gender equality, compared to older generations. Whilst it is often assumed that the feminist project is somehow complete, these reports paint a regressive picture of widening gender inequality in attitudes, behaviour and in career progression. Shockingly, in 2024 police declared violence against women and girls (VAWG) a ‘national emergency’ in England and Wales. Recorded cases of VAWG increased by 37% between 2018 and 2023, running at 3,000 offences a day [Home Office (2024)] .

Against this backdrop and a socio-political imperative to re-centre feminist thinking, much feminist thought is directly relevant to fine art pedagogy in the way it rethinks the frame, opens alternative narratives and creates space to hold minioritised voices. Intersectionality is a central idea in this context, a term first coined by Kimberle Crenshaw [Crenshaw (1989)].  Intersectionality applies to class and sexuality, disability, and all the other Equality Strands and is a way of conceptualising and understanding the interlocking way different types of discrimination affect an individual. It’s a very helpful concept in helping me understand some of the systemic challenges facing some of my students.

These discussions are particularly relevant within a neo-liberal formulation of Higher Education. As Motta (2013) summarises,

“Neoliberal marketization in Higher Education marks an intensification, not a break, with the epistemological logics of patriarchal colonial capitalism… The ideal type neoliberal subject is grounded in individualization, infinite flexibility, precarious commitments, orientated toward survivalist competition and personally profitable exchanges. This produces a space of hierarchy, competition and individualism through the eradication of spaces of solidarity, care and community.” [ibid p.

I want to intentionally create spaces of solidarity and community amongst my student cohort and this is precisely why collective working, pedagogies of care and intersectional feminist thinking is a key part of my ethos in my role as 2nd Year Leader.

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References:

Bonham-Carter, C. (2021). Representation of Women Artists in the UK During 2021. [online] Available at: https://freelandsfoundation.imgix.net/documents/Representation-of-Women-Artists-in-the-UK-Research-in-2021.pdf. [17 Mar 2025]

Crenshaw, K. (1989). Demarginalizing the Intersection of Race and Sex: a Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics. University of Chicago Legal Forum, [online] 1989(1), pp.139–167. Available at: https://chicagounbound.uchicago.edu/cgi/viewcontent.cgi?article=1052&context=uclf. [17 Mar 2025]

Home Office (2024). Violence against women and girls national statement of expectations (accessible). Department of Health. [online] 30 Apr. Available at: https://www.gov.uk/government/publications/violence-against-women-and-girls-national-statement-of-expectations-and-commissioning-toolkit/violence-against-women-and-girls-national-statement-of-expectations-accessible. [17 Mar 2025]

Kings College London (2025). Gen Z men and women most divided on gender equality, global study shows. [online] King’s College London. Available at: https://www.kcl.ac.uk/news/gen-z-men-and-women-most-divided-on-gender-equality-global-study-shows [17 Mar 2025]

Motta, S (2013) ‘Pedagogies of Possibility: In, against and beyond the Imperial Patriarchal Subjectivities of Higher Education’ in Cowden, S, & Singh, G 2013, Acts of Knowing : Critical Pedagogy in, Against and Beyond the University, Bloomsbury Academic & Professional, New York. Available from: ProQuest Ebook Central. [16 March 2025].

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