thoughts from induction 1

I was feeling very tired, almost delirious, and my eye was struggling with the flickering projector which was on the edge of triggering a migraine. The set up of the room meant that we were all sat in rows obscured by large computer screens. I found it a weirdly hostile space for our first meeting, which made me reflect on how important these moments are and how quickly certain ‘scripts’ can get set within teaching environments. I found initially being vocal about my visual impairment meant that I felt vocal about other things and I ended up feeling like I had been quite disruptive.

I wonder about being the disruptive one.

Articulating access requirements is a kind of rupture – a refusal to participate in the way everyone else is. And this articulation is a of rejection of a status quo, which automatically sets you at loggerheads with all kinds of power dynamics. I didn’t feel like my concerns about the projector triggering a migraine were taken seriously, and this also felt like a different kind of refusal. This, in all likelihood, was not because the staff didn’t take them seriously, but because the layout of the room was so rigid as to not allow alternatives.

Rigid environments demand a certain kind of behaviour; compliance. But what happens when you can’t be compliant? I ended up wanting to sit with my back to the class because the flickering light, even in my peripheral vision, was so difficult to manage. Facing backwards felt like a pretty strong statement which I was almost forced into making, when I actually wanted to be there.

How many of our interactions with ‘difficult’ or ‘disruptive’ students are because we are forcing them to be compliant to an environment or system which they fundamentally can’t participate in?

Hi there…

I’m Katriona, and the Year 2 Leader on the BA Fine Art at Chelsea College of Arts. I am new in post, starting Sept 2024). I have overall responsibility for around 160 students in 2nd Year. I have my own tutor group of 28 students and do one to one tutorials, teaching and assessments as part of this role. I run the Year meetings and have been experimenting with turning this into a context for students to showcase work in progress as well as where the week to week timetable and events are discussed. I oversee the 2nd Year lecture series, working with colleagues to align it to the 2nd Year and also deliver lectures. I also work with colleagues cross-year to oversee the Professional Futures programme shared with Year 3 on the BA. I am particularly interested in looking at practical tools to support students in developing a sustainable practice beyond their studies. I also oversee a staff team of 5 fractional staff and 6 associate lecturers. I coordinate the assessment process and also run parity meetings. A key part of my role is to oversee all the students to participate in a series of exhibition projects over the year: a collective exhibition in Nov, a group off-site project in March and an on-site solo presentation in May. I also run an Intersectional Feminisms reading group which is open to any 2nd Year to attend.

I’m an artist and I make digital artefacts, objects, moving image and installation as well as participatory projects. My work responds to the social implications of new technologies and affective experiences in post-digital culture, with a particular interest in mental health. My interdisciplinary project ‘Are We All Addicts Now?’ was supported by The Wellcome Trust and Arts Council England and was shown at Furtherfield in 2017. Recent work includes new commissions at the V&A and Science Gallery London (both 2018); a participatory green screen installation at Autograph (2020); a commission for Disrupt & Reflect, online at IMPAKT, Netherlands (2020-21) and a commission for Sotheby’s Institute of Art that premiered at the V&A (2023).

I started a trade union for artists in 2014, Artists’ Union England and I am currently on the National Executive Committee for AUE.